With the release of Berlin Strings, the question of which strings collection to buy just became a little more complex. Given the different needs of users, it's impossible for anyone to provide a definitive, one‑size‑fits‑all answer, but I can say that due to its great sound, musical consistency, excellent, heartfelt and tight performances, huge dynamic range, swift responsiveness to touch and comprehensive articulation menu, it's a cast‑iron certainty that I'll be using this library in future. And despite the hefty price tag, it's a pretty safe bet that many orchestral sample users will be joining me in droves.
Looking at all the patches and articulations can be an overwhelming experience as there are so many of them. However, when you get to know the library it all starts to make sense and you are left with a very powerful tool. What is normally the problem for me when starting out with a new string library is to figure out how to make the legato work. Well, the legato here works really, really well and all the other patches are equally easy to work with.
The one thing in my opinion which would have made it even easier was to have keyswitching in the short articulations. This however is a small issue to have. Another thing which really impressed me was the flexibility of the library in terms of reverb. Even though it is naturally wet it can be relatively easy reigned in and used in a more intimate way.